I went to see Brad Birch’s new play Tremor at the Sherman Theatre  as a reviewer for Miro magazine. You can read my more traditional review here. For new work however, I like to spend time unpacking the play, and in particular the writing a little more. So here is my not-review of Tremor. Fair warning ‘spoilers’ ahead, perhaps … Continue reading

Review: Unexploded Ordnances, a salute to history

The prologue to the performance of Unexploded Ordnances is a ‘salute to history’ from Lois Weaver. It replaces the acknowledgement to indigenous peoples typically used in America and Canada – in Europe, they take a moment to acknowledge the history of the venue they are in. It is fitting also then to acknowledge the history, and resonance across the … Continue reading Review: Unexploded Ordnances, a salute to history

Hello And Good Morning (Angels opens on Broadway)

  “Hello and Good Morning” When Susan Brown step out, obscured by Rabbi beard and hat, to utter those words and open Angels in America this Saturday, it is a milestone moment. 26 years, 4 months and 2 days (yes, exactly) after opening on Broadway the Angels have finally flown home, via London. There’s a sense that once again … Continue reading Hello And Good Morning (Angels opens on Broadway)