Review: Unexploded Ordnances, a salute to history


The prologue to the performance of Unexploded Ordnances is a ‘salute to history’ from Lois Weaver. It replaces the acknowledgement to indigenous peoples typically used in America and Canada – in Europe, they take a moment to acknowledge the history of the venue they are in. It is fitting also then to acknowledge the history, and resonance across the performance, of Split Britches themselves – formed in 1980 in New York City and working on feminist, lesbian identities.

More at Miro Magazine

Author: emilygarside

Writer and researcher with a passion for all things theatre and arts.

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