Despite having “America” in its title, Tony Kushner’s Angels in America owes a fair amount of its early development—and its high early profile—to Britain’s National Theatre. And as its first Broadway revival readies its opening in March, almost exactly 25 years since its original Main Stem run, it seems oddly fitting that this new production also comes from the National Theatre. This seems a fitting point to reflect on the trans-Atlantic theatrical exchange that forms an integral part of the history of this most American of plays, and in so doing reflect on the act of revival, theatrical history, and the art of theatrical progress.
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Emily Garside 