National Themes: How Britain’s Subsidized Theatre Helped ‘Angels’ Fly

Despite having “America” in its title, Tony Kushner’s Angels in America owes a fair amount of its early development—and its high early profile—to Britain’s National Theatre. And as its first Broadway revival readies its opening in March, almost exactly 25 years since its original Main Stem run, it seems oddly fitting that this new production also comes from the National Theatre. This seems a fitting point to reflect on the trans-Atlantic theatrical exchange that forms an integral part of the history of this most American of plays, and in so doing reflect on the act of revival, theatrical history, and the art of theatrical progress.

 

Read more at American Theatre 

Author: emilygarside

Writer and researcher with a passion for all things theatre and arts.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.